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And you have barbecues, so there’s fires happening. You have to have enough towels to keep people dry so they don’t get hypothermia and they need to not only get dry once, they had to get dry over and over again. “For the song ‘96,000,’ you have 600 extras who you need to make sure don’t drown or get electrocuted around lights,” Chu explained. Chu broke down the logistics - from needing heaps and heaps of towels for the cast to ensuring no one drowned - with TheWrap’s film editor Beatrice Verhoeven ahead of the musical’s release. If you were amazed by the gigantic pool scene in “ In the Heights,” just wait until you learn how much work went into filming it. Chu, Brooks, and Scott have been collaborating on creating onscreen musical dance for over a decade, dating back to the “ Step UpĦ00 Extras, Lightning Storms and Heaps of Towels: How ‘In the Heights’ Director Jon M Chu Corralled That Huge Pool Scene
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Below is a thorough oral history of “When the Sun Goes Down” with Chu, cinematographer Alice Brooks, and choreographer Christopher Scott, who for the first time were permitted to go into full detail of the behind-the-scenes details of how they created the magical scene. Chu was recently a guest on the Filmmaker Toolkit podcast to discuss the scene (and others). Nina ( Leslie Grace) and Benny ( Corey Hawkins), in a quiet moment between two young lovers about be apart, dance up the side of a Washington Heights apartment building in the Fred Astaire and Ginger Rogers-inspired musical number “When the Sun Goes Down.” “ In the Heights” director Jon M. It seems like a visual effect, a piece of gravity defying wizardry created in a computer. ‘In the Heights’: How They Danced Up the Side of a Building Having proven himself as a solid commercial director, “I’d never heard of Lin- Manuel Miranda, but when I saw it, my jaw dropped on the floor,” Chu recalls, “This show spoke so deeply to me, a Chinese from the bay area, not Latino or from Washington Heights, and yet it felt so close to home, because I knew what it was like to be raised by not just your parents, but your aunties, uncles and neighbors.” A decade later, Chu had the opportunity to pitch Miranda the film adaptation, just as Chu found himself at a crossroads, deciding what kind of storyteller he really wanted to be. Chu was working on his big directorial feature debut Step Up 2: The Streets, when his choreographer Luis Salgado invited him to New York to watch a Broadway musical he was in called In the Heights.
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The visceral reaction was almost instant. Chu On The Epiphany That Changed His Career: “I Wanted To Explore My Cultural Identity Crisis” His most recent project set up for the small screen is House of the Rising Sun, a modern retelling of Romeo and Juliet, set in New Orleans, which
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On the television side, he has developed multiple projects, including a multi-generational dance series for Fox with Marc Platt producing. The writer is also known for other successful dance and music-driven projects, including Save the Last Dance, Make It Happen, Make Your Move, and Heartbeats.
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The franchise now includes five films-Step Up, Step Up 2: The Streets (2008), Step Up 3D (2010), Step Up Revolution (2012) and Step Up: All In (2014)-as well as a TV series of the same name, which ran for two season on YouTube Red before moving over to Starz for a third. Adler is best known as the creator of the beloved Step Up dance film franchise, which launched in 2006. Exclusive: Duane Adler has signed with Buchwald for representation.
